Coming Soon in May 2018

31st May M Australia 115mins

Based on Tim Winton’s award-winning novel of the same name, BREATH follows two teenage boys, Pikelet (Samson Coulter) and Loonie (Ben Spence), growing up in a remote corner of the Western Australian coast. Hungry for discovery, the pair form an unlikely friendship with Sando (Simon Baker), a mysterious older surfer and adventurer, who pushes the boys to take risks that will have a lasting and profound impact on their lives.

24th May M France 85mins

A hugely entertaining blend of humour, truthfulness and sensitivity, Blandine Lenoir’s warm-hearted romantic comedy AURORE centres on a middle-aged woman in the midst of major personal and professional life changes. On screen from start to finish, actress and co-writer Jaoui (The Taste of Others, Look at Me) is the heart and soul of this witty, feel-great film. She brings a touching, true-to-life poignancy to an endearing portrait of the resilience of womanhood, as an everyday heroine on the road to (re)discovery

17th May PG United States 99mins

In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island that’s a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.

10th May M Finland 99mins

Kaurismäki’s thoughtful and unmistakably droll films often depict difficult situations and people working in solidarity to overcome them, but with THE OTHER SIDE OF HOPE he reaches new levels of resonance. Indeed, this intelligent, funny and affecting film has been hailed one of his best, and a masterful swansong from one of cinema’s finest auteurs.

For All Session Times click HERE.

STIR – Director Q&A

Join us for an ‘in conversation’ Q&A with Director Stephen Wallace this Tuesday 10th April at 7.15pm. Stephen has kindly flown down from Sydney to Geelong, for this exclusive Pivotonian Event. Stephen is notable for launching Bryan Brown’s career with a defining performance in the 1981 seminal Australian film STIR.
Stephen has also directed internationally-acclaimed films including his 1984 classic THE BOY WHO HAD EVERYTHING (14th Moscow Int’l Film Festival) and the 1986 drama FOR LOVE ALONE (37th Berlinale). He reached success with BLOOD OATH (1990) and more recently has worked on WATER RATS and directed feature film TURTLE BEACH (2014).

Tickets $20 (Members half-price $10)
7.15pm, Tuesday 10th April

Prebook tix online:

This event forms part of the BRYAN BROWN RETROSPECTIVE screening April 6th -11th

Coming Soon in March 2018

(115 minutes) MA15+

The billboards in director Martin McDonagh’s latest film are on a remote road near the home of Mildred Hayes (Frances McDormand), whose teenage daughter Angela (Kathryn Newton) was murdered seven months before the story starts. Mildred rents the billboards for a year, using them to spell out a blunt message that sets the tone for a series of confrontations between the implacable Mildred and the generally disapproving townsfolk, including the weary town sheriff (Woody Harrelson) and the slow-witted, racist sheriff’s deputy Jason Dixon (Sam Rockwell).

(113 minutes) MA15+

Set in 1929, Sweet Country could be described as a western — or at least the latest in a series of politically charged Australian period pieces that rework aspects of the genre, such as John Hillcoat’s The Proposition and Rolf de Heer’s The Tracker. Sam Kelly (Hamilton Morris) is an Indigenous man on the run with his wife Lizzie (Natassia Gorey Furber) after shooting a sadistic landowner. Pursuing the fugitives over the red sands and salt flats is a group that includes a dogged police sergeant (Bryan Brown) and a cagey tracker (Gibson John).

(107 minutes) M

This is one of Austrian director Michael Haneke’s lightest films, though it touches on most of his usual gloomy themes. Along with the alienation fuelled by technology, we get another dose of the miseries of old age, embodied by Jean-Louis Trintignant. Haneke’s distaste for the hypocrisy of the bourgeoisie is an old chestnut on display, so too his repulsed fascination with pop culture. Formally Happy End is a crafty piece of work and, as ever, the director relishes the chance to get some garbage and chaos into his finicky frames.

(143 minutes) CTC

Meet Christian, the respected curator of a prestigious contemporary art gallery. A divorced but devoted father of two, Christian drives an electric car, says all the right things, supports good causes, and is on the verge of opening his new show “The Square” – an installation which invites passers-by to examine their willingness to help others. But disaster strikes when Christian’s phone is stolen, his new performance art piece turns dangerously awry, and his marketing campaign goes viral for all the wrong reasons.  As Christian desperately tries to hold onto his own ego while his comfortable life spirals out of control, his good intentions are increasingly abandoned, with hilarious results.

Winner! Palme d’Or – Cannes Film Festival

(92 minutes) PG

Laid-back suburban everyman Darren “Dazza” Cook loves to entertain his friends and neighbours with his weekly backyard barbecues, utilizing the ancient rum-barrel barbecue that family legend prescribes as having come from Cpt James Cook’s Endeavour. Unexpectedly thrust into the limelight by his employer when an International BBQ Festival comes to town, Dazza needs to sharpen up his act, so enlists the guidance of the mysterious Scottish chef known only as “The Butcher”. As Dazza hones his chops perfecting the perfect steak, his 12-year-old son Jayden is challenged to prove the dubious Cook family ancestral link, with unexpected results.
Set in an unnamed, contemporary, multicultural, average Australian backyard, THE BBQ is a gentle comic fable about the quest for the perfect steak results.

(115 minutes) M

Grace Jones: Bloodlight and Bami is an electrifying journey through the performance, private and public worlds of pop cultural icon Grace Jones. Larger than life, fierce and androgynous – Grace Jones plays all these parts. Yet here we discover her as lover, daughter, mother, sister and even grandmother, as she submits herself to our gaze and allows us to understand what constitutes her mask.

The film includes unique performances of her iconic hits Slave To The Rhythmand Pull Up To The Bumper as well as more recent autobiographical tracks, Williams’ Blood, This Is and Hurricane. These personal songs link to the film’s narrative that follows Grace on a holiday road trip across her native Jamaica. Director Sophie Fiennes creates a powerful cinematic experience, contrasting musical sequences with intimate personal footage and reaching beyond the iconic mask.

(130 minutes) M

This is perhaps the greatest movie ever made about sewing. Directed by Paul Thomas Anderson and starring Daniel Day-Lewis as the designer Reynolds Woodcock, who presides over the House of Woodcock – a fictional version of a 1950s London fashion house. Reynolds is also an artist, and that’s really what the film is about, rather than fashion or design. The beautiful fabrics and the phalanx of elderly ladies who sew his exacting designs for the crowned heads of Europe are merely handmaidens to his greatness.

(95 minutes) M

In Lady Bird, writer/director Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.

Book now at


Coming Soon in January 2018

We have some exciting films arriving at The Pivotonian Cinema in Geelong during January. Kicking off in the new year is French Comedy smash JUST TO BE SURE, the critically-acclaimed film of the summer CALL ME BY YOUR NAME, family favourite PADDINGTON 2 and, beginning with Sneak Previews on Australia Day weekend: brand-new Aussie Comedy THE BBQ.




Comedy / Drama (M)

January 4th

When lonely 45-year-old widower Erwan (the remarkable François Damiens, The Bélier Family) discovers by accident that that man who raised him isn’t his real father, he begins a search for his biological one.



Romance (M)

January 11th

Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents’ cliffside mansion on the Italian Riviera.




Family (G)

January 18th

Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen.




Comedy (PG)

January 26th (Sneak Previews)

Dazza has a passion for barbequing. He accidentally gives his neighbours food poisoning. To make amends he seeks tutelage from the tyrannical Scottish chef and together they enter an international barbecue competition.


The Beguiled 

The unexpected arrival of a wounded Union soldier at a girls’ school in Virginia during the American Civil War leads to jealousy and betrayal.

Director: Sofia Coppola

Ali’s Wedding

After a “white lie” which spirals out of control, a neurotic, naive and musically gifted Muslim cleric’s eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

Director: Jeffrey Walker

All for One

ALL FOR ONE is the story of GreenEdge, Australia’s first ProTour cycling team.
Directors: Marcus Cobbledick, Dan Jones


Bentley Effect – Director Q&A

The Bentley Effect
Director Q&A

Join us this Thursday and Friday night for a special event Q&A with the filmmaker Brendan Shoebridge.

Filmed over five years, The Bentley Effect documents the highs and lows of the battle to keep a unique part of Australia gasfield-free. This timely story of a community’s heroic stand shows how strategic direct action and peaceful protest from a committed community can overcome industrial might and political short-sightedness. It celebrates the non-violent ‘Eureka Stockade’ of our time and chronicles one of the fastest growing social movements we have ever witnessed.

All special event tickets are $20.
Thursday Mar 9 @ 6pm
– Greens Fundraiser screening, tix through Trybooking:
Friday Mar 10 @ 6pm – Tix can be purchased here:

Now Showing – November


November has The Pivotonian Cinema host many of the Best Films of 2016, from some of the best directors in the business.

Pedro Almodovar’s JULIETA sees the Spanish impresario return to the heights of his previous films ALL ABOUT MY MOTHER, VOLVER and BROKEN EMBRACES. Korean director Park Chan-Wook takes a stylistic departure from the full-on likes of OLD BOY to present an English period novel, adapted to 1930s Korea in THE HANDMAIDEN. Italian up-and-comer Paolo Virzi’s LIKE CRAZY is a great contemporary drama-comedy, mirrored by the Italian comedy smash WHERE AM I GOING? -Italy’s highest grossing film ever. Also screening this month is the new visceral thriller by Nicolas Winding Refn (DRIVE) starring Elle Fanning: THE NEON DEMON, with crowd favourites CAPTAIN FANTASTIC and the remarkable FRANCOFONIA (from the director of RUSSIAN ARK) continuing into December.

Also coming up in December we have Cold War challenges in Estonia with THE FENCER, British Comedy romp GOLDEN YEARS, period drama SUNSET SONG and Ira Sachs’ much-anticipated LITTLE MEN, just in time for Christmas. For the kids, look out for YOUR NAME, the Japanese animation film that has broken all previous box office records in Japan.

And remember -we are licensed so you may enjoy a fine wine or boutique beer with your quality film at The Pivotonian.

Now Showing & Tickets

View our calendar and buy tickets to our upcoming movies on our Now Showing page.